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LARGE SIZE RENDITION (1024 X 782
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This is the
finished saber rendition in two different options one without and
one with shadows. In all of the elements involved there are a
relation of theme. In my opinion it is this continuity of elements
in the hilt thumb ring support element, which is repeated both in
the scabbard mouth and at the other end that provides a link to the
entire ensemble as something that can make some sense. On purpose I
have not placed measurements as these can be found below in
traditional ancient scanned drawings. My role is a mere
re-interpretation of some elements. |
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Measurements based
on existing saber. Fig. 5 |
In the end I think
I would prefer the blade without a blood groove. I tried to correct
all the previous mistakes including the flaring of the thumb ring.
Should be 2 cm wide. |
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Here you will see a
reinforced solution for the thumb ring if needed. This solutions
ensures absolute immobilization of the thumb ring and can be done in
a steel that is finished in a different way, brushed, polished or
etched. |
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The thumb ring
is here seen in all positions, mainly with the blade up. There
it shows that the wider space corresponds to the placement of
the thumb, giving it full support. The flared shape is of
paramount aesthetical importance because it is an interplay with
the rest of the elements.
Whether it is placed at that level or a bit lower is not
relevant. |
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I think Fig. 3
shows the correct dimensions. I kept the drawing of the scabbard
to black and white for maximum visibility.
I personally devised a way to avoid the round cross type which hurts
my personal aesthetics and is not exclusive of a Polish saber. See
the image on the right to see what I mean. There are some sabers
like Tulwar that carry the same type of rounded cross. I wanted to
establish a strong identity to a contemporary Hussar Saber while
keeping the heritage in the shape of the saber than in the
decorative round cross which I collected a few below. |
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Indian |
Indo Persian |
Turkish |
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I devised the
scabbard mouth to be like the one in the right, but in a much more
contemporary geometric aesthetics, which in the end means another
stage of the evolution of the Hussar Saber into the 21st. century,
yet keeping a link to its own tradition and past. Contrary to the
scabbard on the right, the one on the left has just enough
continuity of the shape inside and a wider rim on the scabbard's
mouth to provide for muted elegance and dialogue between parts of
the sword.
As a man obsessed with aesthetics, I think the silver wire would add
a touch, just a touch of what would be a fine formal (of form)
relationship between the different areas, but that is not my choice.
I will not
interfere with curvature, section, length and so on, although I have
personally left a little section design of the blade as I don't
think that a beveled edge can be as efficient as the hira-zukuri
type of hybrid cross section in this case. |
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Click for
enlarged view
The design of this Hussar saber capitalizes from the information
provided to me at my request by Matthew and shown below. The
design is, therefore a combination of diverse elements that were
provided to me and my own interpretation of them. I seldom like to
copy but design is not necessarily "invention" of idiotic forms but
rather a re-combination of them.
Considering that the saber originated in China, and the Mongols
brought it to Europe, I am most inclined that the blade section may
have two grooves at the spine but am much more inclined on a meaty
hira-zukuri section which would definitely return the blade to its
origins, therefore hybridation being accomplished the other way
round.
The blade aspect is something to ponder. Whatever oils and stains
can be soaked into the blade to produce an antique texture similar
to Fig.1 blade finished with a sheen rather than a shine
would be wonderful.
Somehow the top half of the front view of my rendition reminds me of
the head of a snake, something that will be barely noticeable.
Another thing I added was an oval section below the guard and over a
small part of the blade, where the thumb ring rests. I think I
wanted to harness the blade and give it a continuity dialogue
with the guard and the handle by this piece which serves also as
support for the thumb ring.
I will not
interfere with measurements, and if those on Fig.5 and
Fig.6 are enough, that is fine with me. One must know the limits
of one's knowledge and mine are limited in the Hussar saber.
I have added a top button which could provide for a ring where a
leather chord could be attached to the wrist or the neck or even a
tassel.
The scabbard will follow if the guard design is approved. I also
added a <> shape more elaborated, in the center of the black leather
scabbard tied with silver wire.
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FIG.1 Tatarska blade
steel. Oil stained? |
FIG.2 |
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FIG.3 |
FIG.4 |
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FIG.5 |
FIG.6 |
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I'm personally
not in favor of these mountings for the tinkerbella |
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The Tinkerbella
as it is |
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I fully agree with this suggested
mountings but would not go into such big details as the finger-slots
in the leather bound handle. The Pommel is beautiful as well as the
curved handle. I dislike the fleur-de-lis guard ends. Should remain
simple as in the original. I would suggest a black leather scabbard
with a wide flat end like the one below. The finish of the handle
makes more sense like the one below. |
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