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THE JOURNEY
As my
work that took me to New York ended successfully and I sat at the
DC9 flying over the frozen lakes, from Detroit to Nashville, images
of giant macro ice crystallizations appeared at the plane's window, I reminded myself of the
microstructures that the fire from a forge produces in the steel.
How curious Mother Nature is, I thought. Both extremes, fire and
ice, create similar structures and again my thoughts were into the
Principles of Yin and Yang.
How imperative, I felt, it was to understand the essence of
things rather then just the appearances…
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The plane began to descend towards Nashville, and once more,
my thoughts went to Joe Walters and the way I decided to visit him.
I plainly took advantage from the long trip I had to make to work in
New York, so I wanted to take the opportunity to meet a young man
who could be my son and who has always been so very kind and
attentive to me that I felt guilty if I were imposing on him. Even
the plane tickets were purchased by Joe via internet and paid in
advance by him with the generosity that I always found in our
dealings with the swords he had made for me.
Meeting people you know from the internet, especially from
such geographical distance as we both were, continents apart, was
something that only happened once before. |
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MEETING JOE
WALTERS
Prior to my departure to the US Joe had told me he
would definitely recognize me so there would not be a problem, and
as I walked towards the corridors of Nashville airport, dragging my
bag, I heard a voice calling my name. There he was, Joe Walters
and his nice 15-year-old kid brother Danny, who immediately
took possession of my bag insistently, in a generous effort to
provide me relief from all the different traveling I had been doing.

Me and Danny became almost instant pals.
I immediately reconfirmed his kind and somehow innocent aura
of a gentle and kind person whose friendly soft smile I became
acquainted to hear over the phone. Both brothers treated me with the
utmost genuine courtesy and friendliness as we drove for lunch. We
had a superb Mexican chicken while I was more than happy to speak my
Spanish, so close to my native Portuguese, with the waiters.
As we were more acquainted, Joe's modest and somehow
timid stance shielded by a very friendly smile and laugh began to
dissolve as we spoke of different things. Then it was time to check
in at the hotel Joe has pre-booked for me and both brothers
were very kind to wait as I did the usual basic unpacking and took a
deserved hot shower, while Joe and Danny very kindly
tried to check on my inactive laptop, after which we headed to his
place where I had the pleasure of meeting all his wonderful family.
It was not a surprise that Joe Walters is such a great
and friendly person. Though soft and kind I know by experience how
expedite, creative and organized he is with his work. But it was the
first day, and though I had a glimpse of his shop, we did not speak
about swords. Instead, I was greeted warmly by his family and was
invited to share their table for dinner, which I delightfully
accepted.
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It
was during this time that I shamelessly commissioned Joe to
make a brooch for my wife, made of steel and silver. I wanted to
bring home to my better half a feminine piece of his steel work.
We also revised some pending projects such as Anthony Woo’s
Kogarasu Maru and Anton’s set
of two swords, the
Hikari and Kage no Ken.
I did it out of my duty though I did not have doubts on
Joe’s versatility on making different projects.
I had always been very impressed by the resources he seemed
to have stored in his head as we discussed the projects at hand.
Joe and I reviewing the Swords of Light and Darkness |
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BEING BETTER ACQUAINTED
Never would Joe allow me to take a taxi to the Hotel or would
his family lack the attention of asking me if I wanted anything to
eat or drink at any given time.
His mother is a nice lady, very good to talk with, a very gentle
person who had answered the phone often and who said that it was
good to see the face behind the voice, while Danny showed
me his superb renditions of guns. The neighborhood was as Joe’s
house, very nice, made of red bricks and beautiful leafless trees,
where one can again admire the organization of Nature.
As I told Joe and even Danny, that for me age is just
something about precedence in birth date, not a rank or a distance,
our communication became even better. Danny was full of attentions
to me since the first minute and I found it very touching.
Then Jack Walters, Joe’s father arrived and I
immediately liked him. Gentle and caring, asking how things went
with his sons while we spent some time chatting.
That first night, after dinner, jet lag took care of me after
we spent dinner exchanging recipes or eating habits with me enjoying
the genuine warmth of such friendly company and environment as much
as I could see that Joe was naturally tired. |
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We
took a picture at the beautiful house porch that led to a nice
garden, covered in snow. |
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THE BLADE SMITH
Until then was the ritual of being acquainted, getting to
know and feel each other and I must say the impression was extremely
favorable, a mere confirmation of what I knew already. I wanted to
settle my accounting with Joe but was pushed away gently with a
there is plenty of time accompanied by a gentle smile.
The next day Joe
decided to treat me with
a forging session at the workshop.
He put his overalls, took a long hook and effortlessly started
organizing his working system. Here he placed the heavy anvil, there
he placed the forge. I could see the transfiguration taking place.
Now we were at his realm and I could sense and feel the ease with
which he moved around placing the hammers and all the stuff he
needed. |
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Joe started the forge and explained to me the way he used
the same tube with a valve for the propane and for air. He had
built six forges and this one was his favorite.
He took a bar of steel and placed into the hot forge,
starting to hammer the steel in a hit-drag movement, spreading
the bar with total ease and confidence. I did not ask what he
was going to do. Instead, I preferred to wait and guess.
As the work progressed quickly, I could
reconfirm my early impression of his knowledgeability of the
craft. Though I had a suspicion of what he was doing, I saw my
suspicions confirmed when Joe measured the hammered steel
for a 14 inches mark. |
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Meantime I had politely refused his friendly invitation
to take a hand at the hammer. I preferred to observe and take
pictures.
Forging can be seen in different ways, but the way I saw
it was that if I would try a hand would not be on something he
would be doing.
We both knew that Joe was forging the
Shobu tanto that I had
designed using Joe’s own textured vocabulary. I dipped my
toe in and said if it would not be a nice thing to do an
O-kissaki, really pointy, Nambokucho style.
Once the blade was forged and the nakago made, it
was time for the grinding of the surface of the blade. |
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Joe agreed and when he was about done with the belt
grinder, he handed me the blade so I could draw the curve.
Another natural gesture in Joe was the willingness to
collaborate with someone who has designed some swords for him to
do for common customers.
A sense of partnership was more than obvious, not
because he could not do it but because there is no the sense of
possessive loss or gain in handing it over to me
to draw the curve.
While observing Joe at his workshop I could see
the salt bath, the different equipment including the belt
grinder, almost entirely built by Joe. |
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It did not
take long to belt grind the shobu zukuri tanto into its
basic shape.
During the entire process I noticed that
Joe had never touched the steel bar's thickness. While
forging, he hammered with great precision the ji
part of the blade, spreading the steel, but always leaving the
shinoji untouched.
I could see that he was saving the thickness for his
magnificent specialty, to be done at a later time.
Joe would be carving the shinoji his own way,
giving it an amazing texture that I could envision already,
though always ready to be taken by surprise as often has
happened. |
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Tanto in the raw, done in about two hours work. Note the
generous portion of shinogi left for the carving
work to be done. |
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CONSISTENCY OF
VOCABULARY
Later, or maybe the next day, before we all had superb BBQ
ribs cooked by Joe’s father, I think it was Danny who
showed me Joe’s first sword, an unconventionally mounted
wakizashi which Joe looked at displicently,
downplaying it.
It was done some 5 or 6 years ago, when Joe was 18 or 19 years old.
I noticed some of his trademarks, mainly on the inventiveness
of the seppa and the tsuba, the marks on
the fuchi-gashira that he still uses sometimes and the way the
habaki was carved. Even the unconventional tsuka,
the tsukamaki itself, and the little flower detail of
the menuki told me that sometimes innocence can
produce superb results and point the evolutionary way.
I took pictures of different parts and the whole of this
first longer-than-tanto blade of his as a way to testify the
consistent evolutionary process of his work, which has reached
another level with the texture he uses for his small knives as well
as for my Seasoned Katana tsuba.
This knife testifies the consistency of his earlier works. |
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FIRST SWORD |
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tsuka widening
towards the kashira |
first signals of
carving on habaki and fuchi |
very creative way of
making a seppa |
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a beautiful and
inventive menuki |
the kashira and the
tsuba views |
first sword, root to
Joe's style |
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Joe has developed into a mature and accomplished young,
talented, knowledgeable and versatile blade smith with a great
number of solutions in his pocket for every situation.
But the most consistent thing is the development of his
textures in steel, both viewable in the little knives he so
splendidly makes to the superb tsuba and sword I own,
which I called
Seasoned Katana because in my
opinion it represents the coming of age of a natural born smith.
The visit to Joe was in a small part just a visitation to the
technical aspects, but the main drive was the young man called
Joe Walters, a great and gentle innate blade smith of the utmost
reliability. Anything he sets to do is done as agreed and with pride
in giving his best.
I even know that he paid from his own pocket the special shipment of
a sword so that he would keep his word. This speaks immensely not
only of the smith but also of the person and of his reliability. |
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CONSISTENT
EVOLUTION |
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To compare the first blade with my Seasoned Katana it
is basically to acknowledge a consistent evolution that is
indeed very promising, specially at the speed and care with which
Joe treats every project. |
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THE FUTURE
To me it is inevitable that Joe Walters is doomed to
be soon recognized as a great blade smith who will only mature even
more with time.
After being listed on Don Fogg’s Cup of Coffee some months
ago, I know that Joe Walters is destined to mature even more at such
an early age and gain the trust of his already numerous customers
and admirers.
It was indeed a time to relax and to get to personally know a
smith with whom I have collaborated often, with excellent results.
Like the branches of a tree in winter, it will soon be
covered by dense foliage, when the Season changes. Such is
the mechanism of Mother Nature. |
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